国王与王后的剧情介绍,剧情分为两个部分:一边是一个神秘的女人,即将步入结婚礼堂;一边是一个有轻度自杀倾向的音乐工作者,被阴错阳差地关进了精神病医院……电影交错展现了两个主人公生活中的片断,似乎毫无关联的故事和人物,可又时时联系到一起。一个沉浸在痛苦的回忆中的女人和一个纷扰不断的男人。在影片中,那个独立成功的女人将慢慢走向封闭,而 “被囚禁”的男人却不知不觉地走向了自身的解放。
The stories of Nora during a brief period when her father falls ill and of Ismaël while involuntarily committed to a mental institution for observation. Nora's in her 30s and has loved four men - her son Elias, Elias's deceased father, her own father, and Ismaël, a musician given to odd behavior with whom she lived seven years. She will soon marry a businessman. Faced with her father's death, Nora seeks out Ismaël to ask that he reconnect with Elias; a great deal else roils from her past. Ismaël has his own challenges, not the least of which are his feelings toward adopting Elias and his meeting Arielle, another patient. Ismaël's surface shows a lot; Nora's, very little.
卑微的国王开始取得胜利。不公平。联·系。“被爱的渴望”是穿透爱人心脏的一颗子弹。国王与王后。回溯。父亲。命运与选择,选择与命运。国王与王后。
最终我们都会被编织进生活的噩梦,都会变老变丑死去,可在这之前谁能明了幸福或不幸的真相与秘密;我们一直在犯错,一直在不遗余力地伤害,可共同的记忆捆绑了现实,所以只能怀着不甘与扭曲硬着头皮继续跋涉;回忆不断插入、干扰现时,并以劝导的方式影响或改变「未来」进程。
无疑是德帕莱欣影片中最矫情的一部,高度没拔上去,于是剩下了琐碎、絮叨和小题大作的神经质。
在周五的上午,坐在昏暗的电影院里看着屏幕上敞亮的法国日光,真真是不可多得的美妙体验。这正是胶片电影不可代替的魅力啊,那时光随着情与爱流去,王的儿子尚未长大。@资料馆
随意的剪辑,大量的跟拍,对镜说话打破第四堵墙,仿佛是新浪潮还魂。再加上时不时穿插些梦境,回忆的段落,观感实在是太舒服了。能感受到德斯普里钦对于生活的一种敏锐,用那么两个不正常的人物,把对个体、家庭乃至整个现代社会的思考都投射了进去。
Matty's crazy about it, but Adam's cold-shouldered towards it like a Scancinavian... so.. 我较为同意Adam的看法,法国文艺片啊又。。 ben2dfjd ben2d0so 中字 @