美女与野兽的剧情介绍,
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving at the castle, Belle finds that the beast, whose grotesqueness she cannot deny, does not want to kill her, but wants to marry her and lavish her with riches. He does not force her, but he will ask her every night to marry him, these times the only ones when he will appear to her. She vows never to say yes. As Belle resigns herself to her mortal fate and looks deeper into the beast - whose grotesque exterior masks a kind but tortured soul - will her thoughts change? Meanwhile, Belle's family, who learn of her situation, have their own thoughts of what to do, some working toward what they believe is Belle's best welfare, and others working toward their own benefit.
通向魔法世界的钥匙是什么。童年时的梦魇和幻想。原著简写。FIFF20丨DAY3《美女与野兽》:经典IP的早期诠释。多重元素的诗意电影。46年的《美女与野兽》,贝儿婊气十足。[Film Review] Beauty and the Beast (1946) 7.9/10。意象外的隐藏人物。黑白影像的永恒魅力。无题。
一次旅途中,商人(Marcel André 饰)迷了路,误打误撞之下,他来到了一座富丽堂皇的城堡之中,在这里,一朵艳丽的玫瑰花吸引了商人的注意,而当他将花摘下的那一瞬间,一只形状可怖的野兽(让·马莱 Jean Marais 饰)出现在了他的面前。为了惩罚商人的贪婪,野兽要夺走他的性命,但作为选择,商人亦可以拿自己的女儿的性命作为交换。回到家后,商人将这一切告诉了自己的三个女儿,只有小女儿贝拉(朱赛特·黛 Josette Day 饰)愿意做出牺牲。 贝拉来到了野兽的城堡,可是野兽非但没有伤害她,反而带她十分周到。时间流逝,商人生了病,贝拉请求野兽放她归家探望父亲,贝拉的两个姐姐看到贝拉衣着华美,遂动起了邪念。从魔镜之中,贝拉得知了野兽病重的消息,她赶到了野兽身边,用自己的爱化解了野兽身上的诅咒。野兽变回了英俊的王子,他迎娶了贝拉,两人过上了幸福的生活。...
请听歌剧的音轨...
美人初入城堡的那段慢动作飘逸唯美,对壁炉边的头颅和墙壁里桌子下伸出来的胳膊印象很深。歌剧音轨虽口型和表情对不上,但也别有一番风味。比原版故事多了一个穷帅求婚者,结尾野兽重生变成死去求婚者的样子(富帅合一才嫁)略讽刺。又一只野兽尸体难道要下一位美女来拯救?自私贪财不守信=禽兽不如?
让·谷克多长片处女作兼代表作。歌剧版与念白版各有所长。影片诗意融融,情真意切(嘉宝的著名惊叹:"让我的野兽回来!")。表现主义及哥特式布景与超现实主义的道具令人印象深刻。走廊两侧的手持蜡烛,人头组成的雕像,飘飞的窗帘与自动开合的门,滑行的美女。钥匙,镜子,玫瑰,马,手套。(9.0/10)
跟电影笔记一起看完 又重温了一遍导演日记 于是就更有意思 有明显的舞台痕迹 但能想象他所经历的困难 最妙的是黑白电影中BELLE 脸上笼罩的金光
直到现在这么多改编的版本,无论怎么变化,都没有去掉野兽变成帅气有钱王子的结局。而这一切都始于Jean Cocteau和René Clément执导的这一部影片。这个基调没有变,都还是童话故事。只是本片做的比后来的影像更先锋一些,后来的愈加保守主义。