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　　When a child steals candles from the cemetery, in order to provide some light means for his family sheltered into a damp basement of a block of flats, this circumstance can say a lot about the sufferance imposed by transition period of time in Romania. This child is one of the seven that Maria has got. She is a 33 years old ordinary woman, whose husband (Ion) is unemployed and ...
罗马尼亚人这种调调的故事好像太多了点
内策尔拿金熊十年前的长片处女作，那个时候他喜欢手持环移和顶俯角。跟第一批罗国新浪潮的片子一样，带点喜剧味儿，谈的却是很尖锐乃至几乎无解的社会问题。比较重要的是电视台带来的媒介自反意义。
虽是真实事件改编，但轻喜剧调性、升格、环移镜头和大量配乐无法带来之后罗马尼亚新浪潮“天然去雕饰”的味道，潦草的结局令人有点想翻白眼。最近几乎每部片子都能看到卢米妮察·乔治乌，她简直是凭一己之力撑起了整个罗马尼亚艺术片半壁江山的存在……
幽蓝夜色中偷来烛火
这种苦大仇深的批判总显得灵气不足

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