Talich Václav - Má vlast (Bedřich Smetana)

空虚 2007/[BT下载/迅雷下载]


发布时间:2016-07-04 来源:本站编辑
【原名】
Václav
【又名】
瓦克拉夫的故事
【导演】
伊力·维伊德雷克
【主演】
Ivan Trojan/Emília Vásáryová
【年份】
2007
【时间】
2008-06-16
【语言】
捷克语
【片长】
100
【类别】
剧情/喜剧
【地区】
捷克
【剧情】
Hash
7831F8C73B72CCA5CE92DB5F21A1EFAC9A99002C
剧情介绍

空虚的剧情介绍,

Vaclav, the village loser, in his 40's bordering on autism, lives with his widowed mother on the outskirts of the village. He is seen by villagers as the local fool, nothing but a constant pain for them, but there is a skeleton in the village closet concerning his father's death. He gets no mercy from his brother Frantisek either. The two forever compete for the attention of their mother, and now even for Frantisek's mistress Lida. The tension between Vaclav, his brother and the village escalates into a criminal act. Though no serious harm is done, Vaclav gets no protection this time and is put into prison. For the first time without his mother's shelter he faces the real world and becomes a target of fellow prisoners. Haunted by the traumatic memories of his dad, he is dying slowly. Mother decides to ask for a presidential pardon from Vaclav Havel, but it will only have a chance if she submits a letter of support signed by all the villagers. Will the village face their conscience and accept Václav again?

平庸的纪录片和好的电影。嘴上不说 身体很诚实 脑子里也一样。那么重 那么轻。短评。

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空虚
  • Talich Václav - Má vlast (Bedřich Smetana)
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  • 0.1 GB
精彩评论

  The autistic Václav is regarded as a harmless enough soul but, as the years pass, he causes increasing problems, and his neighbours in the village and his colleagues in the agricultural cooperative are running out of patience. Locked in his own playful, poetic world, he lives with his aging mum who fondly accepts her son’s madcap ideas and excesses. But the majority think that ...
相对于《海洋天堂》中李连杰和文章的角色,本片中的母亲与儿子在故事发展上显得更加充实饱满,人物刻画也与《海洋天堂》中纯感情流露的方法不同,表演显得更柔和一些,于平淡之中见真情。“-你妈妈什么时候回来?-想她的时候就回来了。”
叙事的推进不错,特别是随着「需要」幻想的部分比重逐渐增加,可惜结尾差了一点点。这个题材能拍出克制又温暖的氛围,这个导演真是「可指望的男人」
https://pan.baidu.com/s/1YY_ec4CYIax_EI_jo_8EZg 码:nx13
命运的悲剧吧,也算某个命题的影像札记了,狂欢应该是先于悲剧的,因那种迷醉是对悲剧根本的否定,那种否定中必然先天的具有了某种肯定的力量,否则更高的建构将不可能。
最爱电影之一

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