费尼兹花园的剧情介绍,第二次世界大战前夕,意大利在德国纳粹的影响下,国内掀起了一股敌视犹太人的政治气氛。在非非拉的费尼兹.康提尼的犹太家族也受波及,为了躲避外面的政治风波,家族成员,特别是家族中两个年轻孩子米科与埃伯特整天躲在破败的庄园中,他们无忧无虑的生活已不复存在,唯有空幻的祈祷上苍,法西斯的悲剧不要降临到他们身上,但厄运最终还是袭来……
In the late 1930s, in Ferrara, Italy, the Finzi-Contini are one of the leading families, wealthy, aristocratic, urbane; they are also Jewish. Their adult children, Micol and Alberto, gather a circle of friends for constant rounds of tennis and parties at their villa with its lovely grounds, keeping the rest of the world at bay. Into the circle steps Giorgio, a Jew from the middle class who falls in love with Micol. She seems to toy with him, and even makes love to one of his friends while she knows Giorgio is watching. While his love cannot seem to break through to her to draw her out of her garden idyll, the forces of politics close in.
从费尼兹花园到奥斯维辛。女人的脆弱。《费尼兹花园》:缄默和反抗——新现实主义电影的两副面孔。我们都曾今是那个花园里的少年。Il giardino dei Finzi Contini。非典型反战片。故园风雨前。《费尼兹花园(Il giardino dei Finzi Contini)》:恐怖下的爱情【第21届柏林电影节金熊奖】。
Il giardino dei Finzi Contini 1970 DvdRip x264 DD 2.0-HighCode
我还没适应德西卡的转型...
犹太贵族落难记,从小接受左翼新民主主义文艺熏陶的同学们看意大利这一套阶级设定太眼熟咯。尽管主旋律,人家送出满眼的美男美女,你敢不服?!病娇少爷小伯格是喜欢法比奥演的工人阶级老大哥的吧怎么后来就不讲了
死活不能相信这片儿是德·西卡拍的,怎么看都是维斯康蒂的风格啊!尤其是Helmut Berger那种虚弱苍白又略带gay倾向的气质,怎么都是维斯康蒂的东西。当年的柏林电影节评委没绷住,把小熊给了这么平庸的一部电影。搜索了一下,同届竞争的还有帕索里尼、罗伯特布列松、法斯宾德等。
1972第44届 OSCAR BEST FORIEGN PICTURE,德西卡,二战,爱情。
开场一段似乎有点流于平庸,德西卡过于迷信运动镜头带来画面的丰满和活性,但是与当时裂解的历史现实是格格不入的,当人被叙事的完整性所吸引时,额外增添的对历史的反思或是某种“责任感”反而成了一种负担。青梅竹马的恋情,不仅越不过阶级的高墙,更拉不住时代变化的缰马。直到最后所有人都被抓捕时,对花园外景的展现还是依然的唯美,出于对柔软绮丽记忆的留存考虑,并不会咬住种族清洗的事件不放。色彩消释了新现实主义的顽疾...