苏莱曼山的剧情介绍,卡拉巴斯是一名自私的卡车司机,在家乡的传统中,一个男人是可以拥有两名妻子的,卡拉巴斯就拥有两个老婆,其中一个怀有身孕不能外出工作,于是全家人就靠卡拉巴斯和另一个老婆齐帕拉(Perizat Ermanbaeva 饰)来养活。 <br /> 卡拉巴斯和齐帕拉曾经有过一个孩子乌拉克(Daniel Daiyrbekov 饰),但不幸的是这个孩子失踪了。一天,齐帕拉告诉卡拉巴斯她找到了失散多年的乌拉克,这让卡拉巴斯感到非常的开心。可是,乌拉克的归来打破了这个家庭长久以来维系的平衡,卡拉巴斯发现仿佛是忽然之间,家里的一切都发生了翻天覆地的变化,而他将要做出非常艰难的选择。
Karabas (Asset Imangaliev) is a difficult man: a hard-gambling, hard-drinking, child-in-a-man's body who puts only himself first in his family. When his wife #1, Zhipara (Perizat Ermanbetova), calls to tell him she has found their long-lost son, Uluk (Daniel Dayrbekov), Karabas rushes to her, much to the dismay of his much younger, pregnant wife #2, Turganbyubyu (Turgunai Erkinbekova). Soon the new family dynamics are stretched past their limits, and Karabas is caught between his old ways and the two women bearing his sons: one re-born and one yet to come. Now this unusual family must decide if they are to co-exist or tear each other apart as old wounds are ripped open and deception becomes the rule of the day. Shot on location in and around the mystic World Heritage Site of the Suleiman Mountain in Osh, Kyrgyzstan, SULEIMAN MOUNTAIN tells the coming of age story of a grown man who must first lose love in order to find it.
影展迄今最有意思的一部。论一个游牧民族的浪子如何回归家庭。平遥电影展《苏莱曼山》。镜头大于剧情。形式或是观念 进步从何而来。
很久没有看过的吉尔吉斯电影,据说还是个女导演的处女作,出手不凡。前半部的叙事堪称教材,分分钟的剧情反转让你叫绝;可惜结尾以女主偶然失足死亡,减少了剧情和人物的力度。可打三颗星,鼓励吉尔吉斯新人,加一颗星。
这种拍法很亲切,中国的独立导演也是这么拍,拍社会底层的小人物,有一夫多妻和萨满教骗钱的元素,讲一个中年女人为了留住丈夫,找孩子斗小三,烟火气很足。在他们的文化里,女人终究还是男人的附属品,没人独立人格的女人,看着挺心塞的。
3.5 生平第一部吉尔吉斯斯坦电影。对男权社会内部机制(压迫女性)和民风民俗的一次集中切入,假女萨满在圣山上的意外死亡亦将两条线的批判糅到一起。虽某种程度上有明显的“电影节第三世界电影”的套路倾向,但剧本精彩、表演到位,令人想到蒙吉式的简洁冷峻和类型化快感。
当包治百病的萨满爱上全内亚最渣渣男,只能心甘情愿跟随其上路行骗,还确信这是安拉的安排。故事流畅,高潮过瘾,还大篇幅满足着观众对萨满治疗仪式的好奇心。
难得的叙事先于观点,观赏性强到不像处女作,不像影展片,不像独立片