痴汉艳娃的剧情介绍,男人对女人说:“世界上最快乐的事就是求知”女人才不听呢
Illia is Piraeus's most popular person: an energetic prostitute, full of life and good humor. Every day, she swims at the pier, entertaining the dock hands. Sundays she has an open house with food, drink and song. Homer Thrace, an amateur philosopher from Middletown, Conn., arrives in town to find out why Greece has fallen from ancient greatness. He decides Illia is a symbol of that fall, so he sets out to study and to save her. Unknown to Illia, he gets the money for the books and all else he gives her from Mr. No Face, the local vice boss who wants Illia retired because her independence gives other whores ideas. Whose spirit is stronger: Homer's classical ideal or Illia's?
NEVER ON SUNDAY。
这片让我觉得达辛特别惹人讨厌。
“我是一个业余的哲学家,我来希腊,是为了寻找真理”。——自我放逐于好莱坞之外的朱尔斯·达辛自我剖白。亚历山大之后的希腊开始衰落,希腊人开始只为快乐而活,他们按照斯葛多派和伊壁鸠鲁派的规律生活。伊利亚——一个没有价格的妓女——就是希腊人享乐至上的化身,一切静穆均惊霰于喧嚷的小酒馆中。“希腊文化是所有文化中最和谐的存在,所有邪恶都是失调的,你自己就在失调中。” 荷马·色雷斯的二周改造伊利亚计划,因为...
本片感觉有些讽刺刻板固执的美国人,他们凡事都需要寻求真理真知;而潇洒自由的希腊人他们自身活的很自在,不在意快乐的本质享受的是快乐本身。所以本片伊利亚最后还是没有被何曼改劝成“良家妇女”。玛丽娜的表演浑身都透露出一股妩媚迷人的气息,就是一口希腊音式英语听得有些别扭。
http://kuai.xunlei.com/d/aEzEDgJKqAB9EjdS2dc
Ποτέ την Κυριακή,除了在塞萨洛尼基电影节上看的Prophet之外,这是我看过的第二部希腊电影,非常非常喜欢主题曲Never on Sunday,响指和旋律都太带感了。作为一个在希腊小住生活了三个月的人,我想说这绝对是原汁原味Super Greek的电影,除了古希腊哲学家希腊还有什么,有无尽的欢乐和人性