瑞士人克里斯的剧情介绍,克罗地亚,1992年1月。年轻的瑞士记者克里斯在南斯拉夫内战中不幸身亡。他死时身着的那身国际雇佣兵组织军服让他的死亡谜团重重。导演Anja Kofmel正是克里斯家族中的一员。童年时,她曾仰慕帅气的克里斯;而如今长大成人,她决定调查他的故事,试图理解克里斯到底如何被卷入了这场纷乱内战之中。
Christian "Chris" Würtenberg was a young Swiss reporter/journalist attracted by war activities. So he had joined an army training in Namibia before taking an interest in the Balkan war, joining the PIV, a paramilitary group of activists which was in the end integrated into the Croatian army who were fighting the Serbs. He was not really a soldier type of man, became an outsider and ended tragically before he could actually write the book he intended to publish about the war atrocities. He was called Chris or "the Swiss" by the fighters. His cousin, Anja Kofmel, is the director of the film which has archive footing, live interviews, and animation parts. She traveled to the war sites 25 years after the actual events and interviewed people who had known Chris. Haunting animation scenes really show the horrors of war for the civilians and also the soldiers. There is no good or bad side, both sides are involved in war crimes. Chris investigated perhaps naively about the reasons people had ...
纪录片与动画的完美结合。当我们重走克罗地亚战争之路。戰地記者之死。
3.5。1.冲着《与巴什尔跳华尔兹》的水准去看的,但终究还是有点失望。2.最触动我的是动画部分的超现实想象,从内部打开一个灵魂世界。
喵喵?我在看超长BBC新闻吗?动画有点少。
3.5;以动画形式表现噩梦、臆想比较出彩,传达出的阴郁梦魇感既弥补了“剧情”的缺失,又在氛围上提供现实部分无法达到的恐惧与深度黑暗;从战士到屠夫,战争最终仍沦为资本世界与宗教洗脑的终极游戏,这种平庸之恶于今日回望,并未更改一丝一毫,对今日欧洲局势仍有借鉴意义。南斯拉夫---一个消失于地图的国名,本可凭借持有几分悬疑感的回溯历程,挖掘出更多富含深意,结尾较无力。
动画部分满分!在阳台上的那一刻,好想跳下去的那一秒,心里问出的那一句,这个世界值得吗?@天安门保利 #欧盟电影展
C+ / 一开始对两种影像风格的交错还蛮有新鲜感的,尤其是动画部分的运动细节着实惊艳(包围、压迫感)。但是回头来看这个中心人物,就像是依循着“战乱中的发达国家知识分子”这一个话题做了历史科普和惯常的人生选择梳理,没有探索到更隐微的值得深思的细节,着实可惜。