追讨者的剧情介绍,这部迎合美国知识份子口味的影片一上市,即蠃得了美国公众的一致好评。导演本人亦藉此一举成名.该片讲述由斯坦顿饰演的洛杉矶青年奥图,他在失去工作之后,协助一个思想极为顽固的老头卖旧汽车,从而引发一连串情节离奇的事件。此片以其新颖独特的手法生动勾画出洛杉矶不同类型文化的人物形象,节奏明快,影像鲜明,深具时代艺术电影色彩。
Frustrated punk rocker Otto quits his supermarket job after slugging a co-worker, and is later dumped by his girlfriend at a party. Wandering the streets in frustration, he is recruited in the repossession of a car by a repo agent. After discovering his parents have donated his college fund to a televangelist, he joins the repossession agency (Helping Hand Acceptance Corporation) as an apprentice "repo man". During his training, he is introduced into the mercenary and paranoid world of the drivers, befriended by a UFO conspiracy theorist, confronted by rival repo agents, discovers some of his one-time friends have turned to a life of crime, is lectured to near cosmic unconsciousness by the repo agency grounds worker, and finds himself entangled in a web of intrigue concerning a huge repossession bounty on a 1964 Chevy Malibu driven by a lunatic government scientist, with Top Secret cargo in the trunk.
只为了回味闪光的80年代……。反常规的追风者。可供膜拜的Cult标签。
这部片可以在“我所看过的怪片佳作”中占有一席之地了,我看完后还是没有明白故事到底说的是啥,但显然这种怪异和混乱是导演有意为之的,尤其是如果注意细节的话会发现许多反乌托邦的设定,并在某种程度上有发条橙子的一些影子。
英式幽默疯癫CULT奇葩片。
平民混混最自由,更能走出这个社会。资本主义的利益驱动、社会主义的虚伪、政府的冷血都8行。一个神秘汽车,一个普通男主人公,各路人马目标指向该车,主人公在里面稀里糊涂的参与,最后历练的主人公与汽车的什么缘分。人人都想自己是被选中那个人,但是什么让我们能区别于别人成为那个人呢?天天做的都是别人做的蠢事?
3.5,对于80年代“电视清教徒主义”的70年代反抗,Repo man是城市边缘的黑话,在这部塑料质感的B级影片之中,却被赋予了一种漫画英雄或反派(此时仍属于邪典趣味)的特殊身份。而影片则在这种B基科幻的表象之下对濒临危机的洛杉矶进行城市泛散步,当消费符号被祛魅,超市空间呈现出一种单调性。而影片的开场在某种程度上回应了《死吻》的结尾,作为弥赛亚终曲的强光爆炸变成了车辆后备箱的小型热核武器。人物的反...
寻思这家伙挺摇滚,一查,原来《席德和南茜》也是他鼓捣的。某些段落像英伦迷幻的MTV,但是放到影片中就不知所云。结尾惊艳。配乐不错。