致卢西奥的剧情介绍,
This is a tribute to an artist whose songs told the story of Italy at a time of rapid social and cultural change. Thanks to the testimony of the singer's manager and friend Tobia Righi, and an effective and original use of archive material, Pietro Marcello retraces the life of Lucio Dalla, making him a spotlight through which Marcello sheds light on a country that rose from the ruins of the Second World War to sever its roots with peasant culture and move towards a future of factories, consumerism and mass car production. Not handsome or dashing like the other singers of his generation, Lucio Dalla embodied a different role model that was closer to ordinary people. For here was an artist capable of transposing the poetry of Roversi, who provided the lyrics for some of Dalla's most beautiful songs, into a musical arrangement that spoke to everyone. The director of Martin Eden returns to the documentary form with a film that pays tribute not only to a great singer but also to a notion of a people that has vanished with him.
6分,《致卢西奥》影评(《卫报》)。
This is a tribute to an artist whose songs told the story of Italy at a time of rapid social and cultural change. Thanks to the testimony of the singer’s manager and friend Tobia Righi, and an effective and original use of archive material, Pietro Marcello retraces the life of Lucio Dalla, making him a spotlight through which Marcello sheds light on a country that rose from the...
歌词唱遍的历史,直到死后才被揭示的身份,主人公值得了解的经历与所产生的影响让整部片都有足够的空间来涵盖。到了<Mambo>那里,第一次按下了暂停,又重新去找原曲;只是更多的部分只是被唱段给填充,也没有更为深刻与详细的追踪,很难想象它有什么特别之处。
2.5
失去了马切罗之前拍人物纪录片的魔力,主要就是通过在世者的叙述和回忆,将Lucio的生平、音乐和意大利社会交叉呈现。有些部分的footage使用还挺灵的,比如餐桌对话通过footage制造幽默感,有的部分就很像mv。不过惊喜发现也有用上《狼的嘴》里的一些段落!看到那里的时候略微有些感动。
939|3.5,用相似的画幅和胶片摄影营造了片子里说的永恒感,就感觉卢西奥一直就在那儿一样,而当他的两位挚友促膝长谈,回忆起的也只是他作为朋友的普通瞬间。这部人物纪录片最大的特点就是没有把卢西奥美化,也没有特地“不完美”化而有利于拔高——这是导演理想化的书写。然而对于卢西奥与战后意大利文化、社会之间的关系,并没有非常深入的探讨,感觉卢西奥这个人物形象只存在于两人对话之间。
好听