逃狱惊魂的剧情介绍,一辆囚车上的黑人卡尔林与一个白人杰克逊,被铁链锁在一起。在逃亡过程中,虽然白人杰克逊瞧不起黑人,处处为难卡尔林,但卡尔林不计前嫌帮助伙伴逃跑,且恢复了已经丧失的优良品德和对他人的爱。这是一部反对种族歧视的优秀作品,在第31届(1958)奥斯卡评选中获得最佳摄影金像奖和最佳创作剧本金像奖,在1958年第8届西柏林国际电影节上获男演员奖。
When the truck that is transporting convicts has an accident on the road, the inmates John "Joker" Jackson and Noah Cullen that are chained to each other escape. They hate each other but they need to help each other to succeed in their intent of going north to jump in a train and reach freedom. Meanwhile the humane Sheriff Max Muller organizes a posse to track them down in a civilized manner and respecting justice. Joker and Cullen reach a small farm where a lonely woman helps them to get rid of their chains. She offers to drive her car with Joker and her son Billy while Cullen would escape through the swamp to the railroad. But when Joker learns that she sent Cullen to a trap, he leaves her and is shot in the shoulder by Billy. Joker seeks out Cullen to save him and when they meet each other, their former hatred has changed to friendship and respect.
《挣脱锁链》电影剧本。孤独与布鲁斯。
最近华片看太多想找个洋片正一正口味,结果……看的几部Stanley Kramer都不是我的菜。Sidney Poitier的歌唱得……他开心就好。即便考虑年代因素平权背景,或者拿他当舞台剧看,也还是觉得太刻意。
3.5。反种族歧视。很直白,可能出于片长太短或两位主角的情感煽动还不够细腻,收尾顿时变得很刻意。花絮:影片公映后的一年,海报出现过小津安二郎的《早安》一片中。
4.5+ 优秀的剧本,伟大的表演。有形的枷锁破除,却留下了无形的纽带,虽然人物塑造仅靠工整排列的“真情吐露”,但两位把台词讲得那么出色,聊天段落可看性也完全不输惊险刺激的动作戏。导演不忘针砭时弊探讨种族和人权问题,Poitier跑调的布鲁斯在这里真是完美嵌入。当然比这一切都更可贵的是弥漫于影片中的一种孤独气质,简直吸人。在1950年代黑白两男又是拉手又是抱在一起像在谈恋爱的样子足够大胆。【Tony...
这片??好好看啊???动作惊悚犯罪的部分比想象中的少很多,话痨片段倒是相当精彩。看似突兀女主戏让整部电影更加病了,表面是《逃狱惊魂》其实是《去他妈的世界》…(想起来上次我为什么没看完了,看他俩烤青蛙吃觉得好饿就去做饭了……)
没经过多少磨合就变得比许仙白娘子还感人的跨肤色友情以及警方和路人中同情心泛滥(即使是因为孤独,见到逃犯的第一反应是勾引的女人还是只能理解为有病)的人道主义者们都浪漫得像编剧的wet dream,看犯罪片通常期待的的紧张粗砺感和社会问题自觉这里都没有。不过俩男主很来电,看得还算开心。