昨日、今日、明日的剧情介绍,名导演维托里奥·德·西卡所导演的本片是一部群星喜剧戏,它可以分为三部。第一部讲述的是,一个在黑市里专门卖外国香烟的女人从未尝过铁窗的滋味,因为当时法律规定不逮捕怀孕的妇女和产后六个月的妇女。所以在产后,就催丈夫作爱,因此逃过了入狱的命运,不过最后因怀孕失败还是走进了监狱。第二部讲述一位富婆迷恋比她年轻的作家,二人一次开着高级轿车兜风,因二人气氛热烈而导致撞车,富婆顿觉索然无味,遂拦车扬长而去。第三部讲述一位高级妓女与一位神学院的学生相恋,妓女摆脱了恩客的纠缠,但经不住神学院学生的老父母恳求而不得不与学生分手。学生走后,其恩客仍被打入冷宫。本片分别以三个都市的风格为代表,充分地刻划出意大利人的气质,男女主角都有精湛的演出。
Three different stories of Italian social mores are presented. In "Adelina", unemployed Carmine Sbaratti and his wife Adelina Sbaratti survive through Adelina selling black market cigarettes on the street. They are unable to pay for the furniture they bought (which is under Adelina's name), but are able to avoid the bailiff when he comes for the money or to repossess. They come up with a longer term solution to avoid Adelina being prosecuted for non-payment, but that solution has a profound effect on the family, especially Carmine. In "Anna", Anna Molteni, the spoiled wife of a successful businessman, and an artist named Renzo are on the cusp of an affair. Anna is feeling neglected in the marriage, as her husband seems more concerned about success and money than her. But a car accident shows both Anna and Renzo if an affair with each other is really what they want. In "Mara", Mara is a prostitute who works out of her apartment. She befriends Umberto, a young man visiting his grandparents who live in the adjacent apartment, the balconies of the two apartments which are adjoined. Umberto, a seminary student, seems to be attracted to Mara as a woman without really knowing what she does. Umberto's grandmother, who knows what Mara does, believes Umberto's seeming romantic infatuation with Mara will be his downfall. As Mara and Umberto's grandmother ultimately join forces to get Umberto to do the right thing in life, Augusto Rusconi, one of Mara's regular clients who is in town from Bologna, does whatever he can to get Umberto's family issues out of the way so that he can get on with his own wants with Mara.
三天与三城。昨日。意大利式喜剧。性与法律、性与金钱、性与宗教。三个故事要放在一起看。Ieri, oggi, domani。喜欢花花绿绿的意大利。对着中国仕女画或观音画祈祷的意大利男女。。现实主义不是一成不变的程式。美丽的索菲亚,多变的罗兰。
四星半。那不勒斯的热烈,米兰的冷漠,罗马的温情。沉重的现实经过德西卡的妙手都有了浪漫色彩,而所谓浪漫是别丢掉对着现实大笑的能力。
三段喜剧,第一段太有想象力了,太好玩了!索菲亚罗兰演那样的妇女也很好!马斯楚安尼演那样的男人也很有意思!第三段也不错。本想打3星,改为4星。反正编剧导演演员都展现出了喜剧的天分!
那不勒斯野玫瑰与意大利情圣的狂野组合,可谓风情万种;戏谑的手法,看女人如何挑衅常态社会;德西卡比较独特的一部作品,还是不怎么对胃口
诙谐睿智的高级喜剧。第一部分的无缝转场,明快的节奏感;第二部分的冷峻长镜头,微妙的情绪把控;第三部分形式上没那么特别,倒是两个演员,一个萌态,一个性感。
三个奇特短故事,两个棋逢对手的主角,一个传奇导演,合奏了一部佳作。荒诞的背后,是对母性的无限依恋。随着剧情推进,仿佛伴随着孩子一路成长。从乳水孕育呱呱落地的昨日,到告别母体独立的今日,直至寻回母爱的明日。段段往事,禁忌与欲望。在苦难中微笑,对未来寄予希望。