瓦赞蒂的剧情介绍,1821年,巴西迪亚曼蒂纳山脉,奴隶贩子António回到又大又破的农庄。他的妻子死于难产,他和精神错乱的岳母与成群的黑奴被禁足于这荒无人烟的地方,他娶了死去妻子的12岁侄女Beatriz。不安分的António再次与商队一起远行,年幼的妻子Beatriz却不知如何与黑奴们相处……
Diamantina Mountains, Brazil, 1821. A slave trader, ANTONIO, returns to the decadent, but imposing farmhouse he inherited to discover his wife has died in child birth. Confined to this desolate property in the company of his demented mother-in-law and numerous slaves, he marries his dead wife's niece, BEATRIZ, a child of 12. A restless soul, he returns to his trading expeditions, and leaves his child wife behind. The loneliness of the big house in the rugged landscape mirrors that of its inhabitants. Each one has been displaced from his original home and forced into co-existence. The undercurrents of violence and prejudice, which still plague the Brazil of today, accelerate the inevitable tragedy which, in turn, heralds the tides of change.
一部的装模作样之作,试图用视听手段和主题猎奇性包装羸弱文本及人物,可连迷人的影像都拍不出。
一个伟大的无产阶级、共产主义者的奴隶主老婆的故事?
男人和少女间无法相触的情感,犹如主人和黑奴无法交流的语言。她已经过了喜欢娃娃的年纪,他浑然未觉;她喜欢把粥抹在掌心的吃法,他毫不在意。鸟啾虫鸣中,男人的人生和少女的青春都被困在这失衡的荒地,谁都不喜欢这里,谁也都逃不出去。几声枪响后,少女用母乳喂食别人的孩子,却达成最诡异的平衡。
人类的奴役史和抗争史都如同黑白影像下日常生活般无意义却又充满了沉积感,最后融合也好、反噬也好、因果也好,都只是一种动物性背后的无价值解读。
没有结尾的话,那就是一颗星。