野草蔓生的剧情介绍,
Near the Everglades, the "river of grass," lives Cozy (named for her father's favorite drummer), lonely, in a loveless marriage, ignoring her kids. She fantasizes being a dancer, an acrobat, and a gymnast. One night at a bar she meets Lee. He's jobless, homeless, and unbeknownst to Cozy, is in possession of her father's handgun. Dad's a cop and lost the gun chasing a robber. Cozy and Lee climb a fence to swim in a pool. Playing around with the gun, they think they kill the pool's owner, so they go on the lam. An odd partnership develops even though they're short on ideas. But how can they escape their barren lot if they don't even have a quarter for the road toll?
反类型也会反出窠臼,但公路片都会有《末路狂花》一骑绝尘的浪漫。男女主角都具有古怪而迷人的气质。
River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. ...
还没有人翻译过,已翻译校对完毕~中英双语熟肉指路微博@Kucing_ 2019年8月中旬任务Done✅
气质独特的处女作,对“反类型”的尝试,《野草蔓生》这个名字译得真好,因为电影里几乎所有的元素导演都尝试反其道而行之。男人女人没有爱情,公路电影没有上路,杀人犯没有杀人,警察也是不得已为了谋生,蔓生的野草在急促的爵士鼓点中吞噬生活。
B / 主人公的心理“蔓生”与故事的叙述“游荡”并行,但前者又嵌入后者之中,造就出这团轻飘、幽默而疏离的杂合物。“女性”的情绪状态变化由角色之间的互动带来,一种几乎捉不到中心的隐秘碰撞,释放的能量却又足够“女性”。(真的是一堆只顾凹造型强扭主题的文艺癌“女性电影”学不来的……)
男人裸露的上身,女人梦呓般的喃喃自语,枪与公路,随旧唱片起舞的闲笔……与其说模仿,不如说是在解构《恶土》和以其为代表的一众公路犯罪片,除了少女变主妇以外这俩片的故事几乎是同一个模子出来的啊!WTF的结尾太有趣了哈哈哈!生活尽管安定但是无聊,犯罪虽然可耻但是有用!Cozy这个名字真可爱~
美妙,自然是反公路的,不是在亡命之旅里消耗,反倒借此重新寻得生命力。