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　　Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He...
Pray for wanderer, pray for me. Pray for sinner, pray for me. 神圣的罪恶带来了无尽的恐惧，忏悔的谎言得不到终极的救赎。一面在神父前欲言又止，一面是紧抓臀部的画面，言辞如此，心灵那般，声画分离出人与罪人。
gay片。特伦斯·戴维斯的声画分立实验。主角给纹身师打电话与教堂忏悔一段尤为精彩。
对自我身份的焦虑，拍出了恐怖片的效果
以远离港口的轮船开始（仿佛在说一辈子的漂泊不定），镜头推近主角哭泣的脸庞——中间插入与母亲的回忆镜头——最后再满满回到港口处。下一幕缓慢的摇摄调度，只为简短的两句对话——再次插入回忆镜头，钟表走秒声与母亲的面孔共存，让人感受到时间的存在。特伦斯·戴维斯在三部曲的第二部，进行了声画不同步的探索：画面为主角在教堂的弥撒，声音为主角想进行私处的纹身，仿佛忏悔室面对未知者的一次忏悔，而后一次的忏悔声伴随的...
罪惡感。

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